There are places in your skeleton you do not speak fondly of.

Hide them in your closets,
like the mangos in your pantries,
let them rot.
You are not a bumblebee keeper
nor a farmer raised on road kill
so keep the nothing from your pantry,
unplug the refrigerator,
leave the kitchen to the dust
and the barn owls
and the field mice.
Hide your canned goods and caramel jams in the cellar.
Remind your mother where the keys are,
third drawer from the cookie jar,
never unlock it.
There are ghosts down there.
You must promise to never unlock it.
Swear to me you will swallow the key,
that you will never miss the school bus bell.
At show and tell you brought your whole family
dressed as dust mites.
The girl in the third row cried with her eyes closed,
she didn’t believe you that they were only rabbit bones.
On the way home you drank Kool-Aid
through the gap in your front teeth,
laughed at your father’s earring and necktie.
A ghost cross-dressed as your mother
threw herself at the interstate.
Your father hit the breaks like his first wife,
the truck hit your mother like his second.
You bit styrofoam and plastic as the airbags painted
the bucket seat red and chalky.
Thick like your lungs,
nervous like a stillbirth.

“You unlocked the doors,
didn’t you?
You spit the key out,
didn’t you?”

Alex Sparks, Show & Tell (via pigmenting)

(via pigmenting)

shessofuckedinthehead:

Sugar Skulls by Snow Violent

(via 87daysbefore)

A novel is not, after all, a historical document, but a way to travel through the human heart.

Julia Alvarez (via larmoyante)

(via heartfelt-handwritten)

jealousc:

which is worse my sleeping pattern or my blog

(via wikipeetia)

I like the dramatic tool that is fantasy and I put period films within the category of fantasy as I would put sci-fi within that same category. I think as a dramatic tool, you leave yourself behind. Your imagination is instantly needed because it’s a world that you don’t recognize with a world you don’t know. And I think that means you have a very different emotional reaction to the characters. I think it’s no better or worse for contemporary pieces. I think in contemporary pieces, it’s about voyeurism. You bring your own experiences to life because you recognize the world. I don’t think you do that as much with the whole fantasy genre. I find that very interesting. 

(via wingedwolves)

(via heartfelt-handwritten)

(via fuckyeahalternativefashion)

(via wikipeetia)

I’d write love poems to the parts of yourself you cannot stand.

Andrea Gibson (via hellanne)

(via cliffdivers)

(via londonclass)